\”'September 5' is based upon a true story, one that I had somehow not really known about - despite being into sports, albeit not a big Olympics guy. The event in question did ring tiny bells in my head pre-watch, but oddly not as much as other Olympic events would have. As such, I didn't actually know how this story was going to play out. That was actually very beneficial, as I was moving up and down with all the dramatic and disturbing developments. This film portrays its plot tremendously, they set the perfect vibe and pace throughout. The acting is also of good quality. John Magaro is the one who impressed me most, though Peter Sarsgaard, Ben Chaplin and Leonie Benesch are also excellent. It's fascinating to see it all from the media's perspective, especially in terms how they broadcast; e.g. the onscreen graphics.”

r96sk

\”I worked in sports broadcasting for 30 years, including at the Olympics in Atlanta when a story of a similar nature to this one broke around the bombing in Centennial Park. Even though we’d moved on a few decades since this scenario, there are still similarities that ring true between this representation of what might have happened in the studio gallery of ABC and what happened in 1996. They are off the air and everyone is getting some rest after a long day when news begins to filter through that there have been gunshots. The programme producer Geoff Mason (John Magaro) summons help from his boss Marv (Ben Chaplin) and from his boss Roone (Peter Sarsgaard). With information limited and their access to an interpreter even more so, they recruit the services of the versatile Marianne (Leonie Benesch) and jury-rigging their comms, wheeling an half-ton camera out onto the concourse and fighting internal battles to avoid the all-powerful news division from muscling in on the operation, this team have to live on their nerves and instinct as they try to convey this breaking news to their population watching at home. It’s quite interesting that a quick flick around the channels available to them reveal they are the only people broadcasting so they press on doing what their journalistic instincts tell them to - and it has to be said, with great ingenuity as walkie-talkies and hard-wired kit were all that was available and official sources were obviously not obsessed with keeping the media briefed as it transpired that “Black September” had killed one and taken another eleven Israelis hostage. Tim Fehlbaum does well to keep the pace taut here as the day’s events unfold, and to give us an illustration of just how tough it was to verify sources whilst trying to stay one step ahead of the competition from people who might not have had the boots on the ground, but who did have ownership of the satellite. One of the reasons that they were the only live broadcaster was that the principal European broadcasters (RAI, France Televisions and the BBC) had already discussed the dangers of the terrorists actually watching the closed-circuit feeds available throughout the Olympic village, and so their sports teams were not broadcasting anything useful. Sadly, that isn’t something that dawns on these guys as the penny begins to drop that they are essentially providing the captors with some external coverage of the authority’s activities in/around the building. Unfortunately, for me, the sort of biggest, best, first, hyperbole that now follows rather undermined what could have been a really quite compelling look at how live television has to react in fluid situations like this. The dialogue starts to become peppered with disparaging remarks about their hosts’ competencies and a certain unpleasant arrogance starts to emanate from this team. Technically, they resort to the radio, in German, rather than co-ordinate with others on site and when the cops finally show up to, admittedly rather heavy-handedly, tell them to get off the air - the emphasis seems to be more about the police with guns invading the control room rather than the irresponsible producers with weapons way more powerful (and useful to to their antagonists) cocking it up. The denouement is also a testament to just how crucial it is to take your time and get your facts straight.
 - and sometimes even the most plausible sources aren’t reliable. In the end, there may be no winners. The anachronism of all of this happening whilst there’s some sport going on elsewhere isn’t wasted here, nor is the inventiveness of those from a professional sport background who put something to air for which none of them had been trained. The world was, indeed, watching though most of the 900 millions were not watching ABC Sports outside of the USA - just a few in Munich whom we all wish weren’t.”

CinemaSerf