\”Whilst there can be no doubt of the potency of the theme here, I thought the nature of the story telling was all over the place and angry. With temperatures rising, literally and metaphorically, the bored youth of an area of Brooklyn are becoming more and more frustrated. The thrust of these frustrations is epitomised by a battle of wills between Italian American pizzeria owner "Sal" (Danny Aiello) and his growing number of African American clientele. His walls are covered with famous faces - Al Pacino, Frank Sinatra, etc. from his heritage but his new customers feel that they are under represented. "Sal" isn't about to be bullied into anything, and to be fair to Spike Lee he does cleverly use this slow burning fuse to illustrate an whole slew of racial attitudes amongst a diverse community where change was coming - like it or not. As the heat shows no sign of abating, tempers finally flare and a denouement results in quite some eye-opening tragedy that though effective, I found completely anachronistic. It's told very much from one perspective but not puritanically. I think that might actually exacerbate my dislike of the proceedings because what appears to be happening to a decent and hard working American citizen is that he is being bullied, coerced and ultimately violated because he won't abandon his own traditions in favour of someone else's. It's cunningly depicting a change of identity for this community in a survival of the fittest fashion that I found quite intimidating. This isn't really about the characters themselves, more about the politics of a situation that became more and toxic as people left their conciliation hat at the door of reason on their way in. The dialogue struggled to get past the fu section of the dictionary and that just compounded the sense that it was more of a not so subtle rant than a story of respect offering any decent form societal evolution and equality. Maybe Lee would do it differently now? As it is, it's raw - but not in a good way.”

CinemaSerf